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User Lens Reviews Nikon 16-85mm f/3.5-5.6G ED VR AF-S DX
1 of 1 people found the following review helpful
My choice among the basic DSLR zooms, Friday, 02 January 2009 It helps that by all accounts the 16-85mm is optically the best of the lot. I'm not really equipped to evaluate the lens' technical qualities, but those who have done so tend to note that this lens addresses most of the minor flaws found among the rest of Nikon's basic DSLR zooms, making it likely the sharpest and least flawed of a good lot. I can confirm that it produces strikingly colorful photos that are sharp and mostly free of undesirable effects. Mine does produce some ghosts when shooting photos directly towards the sun, which I often do. I wouldn't fault it too heavily on that basis. The 16-85's toughest competition is probably the 18-200. I didn't really consider the 200 because Nikon seems to have had to give up just a bit too much in terms of optical quality to get the zoom range. Still, many buyers will compare the two, as they are similar in cost and quality and perform similar functions for most users. I'm actually a bit surprised how infrequently I need to go beyond 85mm on a DSLR. 85mm is a good, useful telephoto range that provides a fair measure of distance compression and allows me to get the perspective I want in the telephoto range for most normal subjects. The 85-200mm range, for me, is really mostly useful for special conditions photography - shooting distant subjects that I have no way to get closer to. For that type of purpose I don't mind having to switch lenses, and the bonus here is that the 70-300mm VR becomes an excellent and affordable complement to the 16-85mm. That combination, although more expensive, provides usefully greater range at both ends than the 18-200mm without quite the optical compromises the 18-200mm seems to require. (Nikon's 28-200mm "G" lens could be another very useful complement to the 16-85mm as it has a reputation for optical excellence, good macro capabilities and is light and inexpensive). The bottom line is that the 16-85mm is a no-excuses basic lens that serves very well for quite a broad scope of basic photography. I feel confident when I use it that I am getting very close to the best image quality possible. The only thing the lens gives up is speed, and that is surely by necessity. If you wanted a combination of fast lenses that would approximate this range you would need to get both Nikon's 17-35mm f/2.8 and 24-70mm f/2.8, at a combined cost of $3k, and would still need to add either a 70-200 or an 85mm prime at the long end. VR makes the lack of speedy apertures acceptable for basic shooting. I love my 16-85.
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0 of 0 people found the following review helpful
My choice among the basic DSLR zooms, Friday, 02 January 2009 It helps that by all accounts the 16-85mm is optically the best of the lot. I'm not really equipped to evaluate the lens' technical qualities, but those who have done so tend to note that this lens addresses most of the minor flaws found among the rest of Nikon's basic DSLR zooms, making it likely the sharpest and least flawed of a good lot. I can confirm that it produces strikingly colorful photos that are sharp and mostly free of undesirable effects. Mine does produce some ghosts when shooting photos with the sun actually in the frame, which I often do. I wouldn't fault it too heavily on that basis. The 16-85's toughest competition is probably the 18-200. I didn't really consider the 200 because Nikon seems to have had to give up just a bit too much in terms of optical quality to get the zoom range. Still, many buyers will compare the two, as they are similar in cost and quality and perform similar functions for most users. I'm actually a bit surprised how infrequently I need to go beyond 85mm on a DSLR. 85mm is a good, useful telephoto range that provides a fair measure of distance compression and allows me to get the perspective I want in the telephoto range for most normal subjects. The 85-200mm range, for me, is really mostly useful for special conditions photography - shooting distant subjects that I have no way to get closer to. For that type of purpose I don't mind having to switch lenses, and the bonus here is that the 70-300mm VR becomes an excellent and affordable complement to the 16-85mm. That combination, although more expensive, provides usefully greater range at both ends than the 18-200mm without quite the optical compromises the 18-200mm seems to require. (Nikon's 28-200mm "G" lens could be another very useful complement to the 16-85mm as it has a reputation for optical excellence, good macro capabilities and is light and inexpensive). The bottom line is that the 16-85mm is a no-excuses basic lens that serves very well for quite a broad scope of basic photography. I feel confident when I use it that I am getting very close to the best image quality possible. The only thing the lens gives up is speed, and that is surely by necessity. If you wanted a combination of fast lenses that would approximate this range you would need to get both Nikon's 17-35mm f/2.8 and 24-70mm f/2.8, at a combined cost of $3k, and would still need to add either a 70-200 or an 85mm prime at the long end. VR makes the lack of speedy apertures acceptable for basic shooting. I love my 16-85.
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0 of 0 people found the following review helpful
Basic Nikon zoom adds useful wide angle reach, Friday, 02 January 2009 It helps that by most accounts the 16-85mm is optically the best of the lot. I'm not really equipped to evaluate the lens' technical qualities, but those who have done so tend to note that this lens addresses most of the minor flaws found among the rest of Nikon's basic DSLR zooms, making it likely the sharpest and least flawed of a good lot. I can confirm that it produces strikingly colorful photos that are sharp and mostly free of undesirable effects. Mine does produce some ghosting when shooting photos with the sun actually in the frame, which I often do. I wouldn't fault it too heavily on that basis. The 16-85's toughest competition is probably the 18-200. I didn't really consider the 200 because Nikon seems to have had to give up just a bit too much in terms of optical quality to get the zoom range. Still, many buyers will compare the two, as they are similar in cost and quality and perform similar functions for most users. I'm actually a bit surprised how infrequently I need to go beyond 85mm on a DSLR. 85mm is a good, useful telephoto range that provides a fair measure of distance compression and allows me to get the perspective I want in the telephoto range for most normal subjects. The 85-200mm range, for me, is really mostly useful for special conditions photography - shooting distant subjects that I have no way to get closer to. For that type of purpose I don't mind having to switch lenses, and the bonus here is that the 70-300mm VR becomes an excellent and affordable complement to the 16-85mm. That combination, although more expensive, provides usefully greater range at both ends than the 18-200mm without quite the optical compromises the 18-200mm seems to require. Nikon's 28-200mm "G" lens could be another very useful complement to the 16-85mm as it has a reputation for optical excellence, good macro capabilities and is light and fairly inexpensive. The bottom line is that the 16-85mm is a no-excuses basic lens that serves very well for quite a broad scope of basic photography. I feel confident when I use it that I am getting very close to the best image quality possible. The only thing the lens gives up is speed, and that is surely by necessity. If you wanted a combination of fast lenses that would approximate this range you would need to get both Nikon's 17-35mm f/2.8 and 24-70mm f/2.8, at a combined cost of $3k, and would still need to add either a 70-200 or an 85mm prime at the long end. VR makes the lack of speedy apertures acceptable for basic shooting. I love my 16-85.
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2 of 2 people found the following review helpful
Awesome lens except for macro shots, Tuesday, 23 December 2008 1) At 16mm there is slight light falloff in the corners. It's usually not detrimental to the picture quality in real life. Small sacrifice for those extra 2mm. 2) This is a terrible lens for macro shots. The ratio is something like 1:4.6. In this zoom range (and price range) I would normally expect better macro performance. I already have a 'macro' lens that does 1:2 but because this lens has poor macro performance I lose out on the potential VR benefit during handheld macro shots (not to mention that I have to change lenses to shoot macro). Honestly, if I didn't already have a macro lens I would likely return it on this basis alone. 3) The VR is not really noticeable on this lens at wide angles. I'm sure this is a common issue due to wide angles being less sensitive to camera shake - but I honestly don't notice a difference when the VR is turned on. I know the Nikon VR works great in my longer 70-300mm lens. On that lens the difference VR makes is like night and day. Other than those issues, this lens is super sharp and has less distortion than most other lenses in this same range. The colors are accurate (not saturated). The focusing seems pretty fast and quiet. Great walkaround lens. Except for the crappy macro performance, this lens would get five stars from me.
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1 of 1 people found the following review helpful
Perfect match for the D90, Monday, 22 December 2008
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0 of 0 people found the following review helpful
It's a Nikon, Thursday, 27 November 2008
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2 of 2 people found the following review helpful
A great general purpose lens. , Sunday, 09 November 2008
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1 of 2 people found the following review helpful
A great general purpose lens. , Sunday, 09 November 2008
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3 of 3 people found the following review helpful
Excellent lens, Friday, 31 October 2008
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6 of 6 people found the following review helpful
Excellet lens - great compliment to the 70-300 VR, Sunday, 26 October 2008
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10 of 10 people found the following review helpful
I hate zooms, but..., Thursday, 16 October 2008 I tested the waters of digital with a D40 and D60 (the D40 was stolen), and the kit lens that came with each was everything that made me stay with my metal and glass Nikkors when auto-focus ruled the film world, too light, too flimsy, and lacking of a feel of precision. I used my manual focus Nikkors on the D60 with good effect, giving up metering, and a less than exact focusing ability, especially at f/one-point-something. After reading a review for the 16-85mm Nikkor zoom, I decided to get one so that I could at least have one auto-everything lens for when I wanted to be lazy, or hand the camera to someone else to use. When the lens arrived, it looked much better than the kit lens that sat unused after a brief test period. The lens was first rate in terms of fit and finish. The impression of a fine lens continued when I mounted it and shot images in my low-lit living room. A sharp shot taken at 1/3rd of a second at the 85mm setting was enough to let me know that the new VR label was a true tool, and not just a selling point. I now have several hundred photos made with this lens, and not a bad one from the lens' fault. The prints I had made from my lab had the tech asking me what I was shooting with... the files were so good. FWIW... my normal working wide-angle in the film days was 24mm, and this lens has that angle of view when set at 16mm. I was at home with this lens on the first outing, and I stopped thinking about film-versus-digital...I was shooting with a 24mm lens. I never liked the 28mm focal length, so this lens was the one I was waiting for, and I'm glad it came along. There is a difference between a 24mm and 28mm (on film), and it shows up here in the digital world too. I can recommend this as a quality optic for the digital shooter.
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4 of 6 people found the following review helpful
NIKON LENS, Saturday, 13 September 2008
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7 of 7 people found the following review helpful
awesome awesome awesome lens, Sunday, 24 August 2008
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4 of 4 people found the following review helpful
FINALLY!, Friday, 22 August 2008
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7 of 7 people found the following review helpful
Very versatile, Monday, 18 August 2008 If you really want to nitpick, there is minor, MINOR barrel distortion on the wide end, and a little vignetting. I will say this: the lens is long, and big. Please take note when using this lens. I use this on a D40, and the AF Lamp is slightly obstructed. I also recommend using a speedlight instead of the on board flash. If you try taking a flash shot at the wide end, expect a nice shadow on the bottom of your picture, cast from the end of the barrel. At tighter zoom levels, this isn't apparent, but still. It's a quality lens. Not too heavy, very good all-around performer
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