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Home Lenses Canon Canon EF 85mm F1.2L Mk II review
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Canon EF 85mm F1.2L Mk II review Hot

 
Camera Gear Rentals
Editor rating
 
3.8 User rating
 
4.5 (87)

Overview

Retaining the impressive optical performance and large aperture of the original EF 85mm f/1.2L USM, this new medium telephoto lens uses a Ring-type USM, high-speed CPU and optimized algorithms to achieve an autofocus speed approximately 1.8x faster than the original. The high-speed AF and circular aperture create a shallow depth-of-field that brings attention to the subject and blurs the background, which is ideal for portraits and weddings. The floating optical system, which includes an aspherical lens element, suppresses aberrations and ensures excellent imaging performance. Developed to succeed Canon’s highly acclaimed EF85mm f/1.2L USM lens launched in September 1989, the new EF85mm f/1.2L II USM is a mediumtelephoto lens boasting the highest brightness in its class* to deliver the high-resolution, high-contrast images for which Canon’s L-series is renowned.

Employing large, high-precision aspherical lenses in combination with a floating construction that suppresses aberrations during focusing, Canon’s new ultra-large- aperture medium-telephoto lens maintains the superior image quality throughout the shooting range that its predecessor was acclaimed for.It employs lens element positioning and lens coating to ensure excellent color balance while minimizing the ghosting and flare that can easily occur when shooting in the digital format.

Moreover,the new Canon EF85mm f/1.2L II USM lens goes even farther to meet the needs of professional and advanced amateur users by incorporating such high-performance features, high-speed CPU, and an optimized AF algorithm to realize an AF speed 1.8 times as fast as that of its predecessor. Ideal for professional photographers who shoot portraits and weddings, Canon’s EF85mm f/1.2L II USM medium-telephoto lens features a circular EMD (electromagnetic diaphragm) that achieves excellent background blur.

EF85mm f/1.2L II USM

canon85mmMkII1.jpg
Photo 2 EF85mm f/1.2L II USM

Concept of development
The EF85mm f/1.2L II USM (Photo 2) is an L-series medium telephoto lens developed as a successor to the EF85mm f/1.2L USM, which is very popular for its ultra-large aperture of f/1.2 and high resolution since it was released in 1989.
The model has been redesigned to increase AF speed, while retaining the excellent optical performance of its predecessor.
The development concept is as follows:

Inheriting excellent optical performance of the original EF85mm f/1.2L USM

Much higher AF speed than its predecessor


Use of circular aperture


Feature 1: Inheriting excellent optical performance
By adopting a large aperture, precision ground and polished glass aspherical lens with the same 8 elements in 7 groups as its predecessor, the EF85mm f/1.2L II USM minimizes aberrations such as spherical aberration and provides excellent quality images with both high resolution and contrast from the maximum aperture of f/1.2 (Fig. 4).
canon85mmMkII2.jpg
Fig. 4 EF85mm f/1.2L II USM Optical System

The lens uses relative floating element construction in which the rear lens group is fixed and the other groups extend as a unit during focusing. This suppresses aberration variations and achieves excellent performance over the entire imaging area (Fig. 5).

canon85mmMkII3.jpg
Fig. 5 MTF Characteristic Charts of EF85mm f/1.2L II USM

Feature 2: Much higher-speed AF

The combination of a front lens group focusing system in which groups 1 to 7 are extended and a ring-type USM drive is the same as its predecessor, but the AF speed has been significantly improved by up to 1.8 times* compared to its predecessor through the use of a high-speed CPU and optimization of AF algorithms.
* Depends on camera and shooting conditions.


Feature 3: Circular aperture for attractive bokeh effects
Thanks to the EMD's circular aperture together with the shallow depth of field typical of a large aperture lens, the lens provides attractive blur effects (bokeh).


Feature 4: Lens coating optimized for use with digital SLR cameras
Like its predecessor, the EF85mm f/1.2L II USM uses coating optimized for use with digital SLR cameras. As a result, it successfully realizes both good color balance and minimization of ghost and flare attributable to surface reflections from the digital imaging element.


Feature 5: Superb operability
Focusing ring providing a smooth feel to operation
The electronic lens ring system provides subtlely smooth focusing. It also provides full-time manual focusing that allows manual focus after one-shot AF operation without leaving AF mode.

Distance information for improving flash exposure precision
Distance information can be sent to the camera during AF, thus making the EF85mm f/1.2L II USM compatible with the E-TTL II autoflash system for the optimal flash exposure.

Rubber coating for excellent grip
A soft rubberized outer coating has been used to provide a more secure grip and easier handling.

Dedicated hood with superb light blocking
Like its predecessor, the EF85mm f/1.2L II USM uses the ES-79II cylindrical hood, which is excellent for preventing reflection thanks to flocking on the inner surface.


Feature 6: Environmentally friendly design
The optical system contains only environmentally friendly lead-free glasses. The EF85mm f/1.2L II USM is also in compliance with Canon's own standard covering the RoHS Directive.

Lens Specifications

Generic Lens Specifications

Lens Type Prime
IS / VR / OS None
Canon L Class Yes
Min Focal Length (mm) 85
Max Focal Length (mm) 85
Number of Elements 9
Element Groups 7
Max Aperture 16
Minimum Aperture 1.2
Diaphragm Blades 8
Closest Focus Distance (m) 0.95
Maximum Magnification 0.11
Filter Type Screw In
Filter Diameter (mm) 72
Diameter at widest (mm) 91
Lens Length (mm) 84
Weight (g) 1025
Release Date March 2006

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Editor review

Canon EF 85mm F1.2L Mk II

Overall rating: 
 
3.8
Sharpness:
 
4.0
Build Quality:
 
4.0
AF Speed:
 
5.0
Value for Money:
 
2.0
Reviewed by lee
December 19, 2007
View all my reviews
 
Last updated: January 23, 2008
Like others of extreme specification, this is a connoisseur's lens. Bearing in mind its street price it is clearly not meant for most amateurs. Our view is that a wide-aperture optic should be brought for its performance wide-open and because the photographers work or interest requires it - not for imagined prestige as may have occurred in the past. Who needed a medium telephoto f/1.2. Canon describes it as the companies definitive portrait lens and points to applications in covering indoor sports and natural life in poor light, as well as impromptu shots as weddings and other social functions to avoid the use of flash. The pattern of performance found on the test certainly confirms its suitability for portraiture, going from a pleasant softness of textures when wide open to sharper rendering on stopping down. However, there is a lingering feeling it could be better still fully open and the colour fringing makes it a hesitant recommendation without prior trial for your specific use. Although improved in some respects - mainly mechanical - it remains, essentially a 17 yer old design. At a less extreme aperture this ago would not be that relevant. Possibly the market demand for an 85mm f/1.2 is sufficient to incur the heavy costs of reformulation, with use o fmore expensive low-dispersion glass, tooling up and so on. As it stands, it is a classic traditional lens of a unique specification, which fulfils its claims but is not for those looking for cutting -edge crispness of detail at the wider end of the aperture scale.



Oh buy the way this is a truly stunning looking lens and you will find it hard to see a more beautiful chunk of glass.



Sharpness / Definition

The impact on contrast of closing the aperture is dramatic, taking performance levels from poor at f/1.2 to high at f/5.6. Much of the density loss is due to lateral chromatic aberrations, particularly in the longer red wavelengths.



Vignetting

Corner darkening might well be noticeable at full aperture in theory, but with the type of image likely to be shot with this lens being portrait then its presence is probably go unseen. By the time the aperture is closed 2 EV to f/1.8the effect will not be visible.



Focal length

We found then when focused at infinity the lens length was 83.8mm , at 15 meters it was 85.4mm and at 7.7meters it was 86mm.

Conclusions at a glance

Would you recommend this Item Undecided
Pros Speed, build
Cons Price, not s good as you would expect for this price.
 
 


User reviews

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Average user rating from: 87 user(s)

Overall rating: 
 
4.5
Sharpness:
 
4.4   (87)
Build Quality:
 
4.5   (87)
AF Speed:
 
4.4   (87)
Value for Money:
 
4.5   (87)
 
Ratings (the higher the better)
  Sharpness*
  Build Quality*
  AF Speed*
  Value for Money*
Conclusions at a glance
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Best lens I have

Overall rating: 
 
5.0
Sharpness:
 
5.0
Build Quality:
 
5.0
AF Speed:
 
5.0
Value for Money:
 
5.0
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Reviewed on: April 09, 2012
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0 of 0 people found the following review helpful

What i like in this lens: - superb picture quality - bokeh is beautiful - depth of field is thin- very good for portrait - built quality is excellent - wide aperture - sharp at f1.2 - contrast and color rendering is the best What i dont like: - very heavy(its not for the weak) - expensive but it worth it - not really easy to use but make your life easy as some says... - slow focus but remember that the main use of lens is for portrait not for sports.

 

Canon 85 mm F1.2

Overall rating: 
 
4.8
Sharpness:
 
5.0
Build Quality:
 
4.0
AF Speed:
 
5.0
Value for Money:
 
5.0
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Reviewed on: March 13, 2012
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0 of 0 people found the following review helpful

This lens is absolutely a great lens for portraits. You must know this is not a sports lens its focus is slow. You could shoot at 1.2 and still have a sharp Image. And lastly this thing is heavy but feels so solid. You will love it

 

You get what you pay for.

Overall rating: 
 
4.3
Sharpness:
 
4.0
Build Quality:
 
5.0
AF Speed:
 
4.0
Value for Money:
 
4.0
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Reviewed on: December 25, 2011
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0 of 0 people found the following review helpful

This is now my go to lens for almost anything indoors. Great for inside a church or anytime where a flash would disrupt the setting. Pictures are tack shap but it does have a narrow depth of field. IMHO worth the money.

 

wow

Overall rating: 
 
5.0
Sharpness:
 
5.0
Build Quality:
 
5.0
AF Speed:
 
5.0
Value for Money:
 
5.0
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Reviewed on: December 21, 2011
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0 of 0 people found the following review helpful

I think this is now my favorite portrait lens. I just received this lens in the mail and already I can tell it is going to help me immensely. This lens makes me look like the most amazing photographer. Every shot seems to be perfect with minimal to no effort. I initially choked on the price when I purchased this lens, and was somewhat hoping it wasn't going to be that great so I could send it back and get my money back. Well, NO SUCH LUCK! This lens is awesome! I am shooting with a Canon 40D and a Canon 5D Mark II. Both are great cameras and both have performed perfectly with this lens. No regrets here! I am thoroughly pleased. If you do any portrait or wedding photography at all, this is a must have lens.

 

WOW WOW AND WOW!

Overall rating: 
 
4.8
Sharpness:
 
5.0
Build Quality:
 
5.0
AF Speed:
 
4.0
Value for Money:
 
5.0
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Reviewed on: December 16, 2011
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0 of 0 people found the following review helpful

If you're reading reviews on this lens you know it's in a class by itself. Creative portraits shot at f1.2 are like no other, this lens is like a studio in a box. However, one of my first major shoot with it was a family portrait session at a park which went into the evening. I was shooting at f1.2 with no flash (on a 5D2 at ISO 1600) and the imagery was infectious at that f stop. BUT, THE AUTO FOCUS... hunting, hunting, driving me nuts. I knew f1.2 lenses have that as part of their physics, but it did get annoying. I thought I'd have to live with it, until a little online research revealed that it was due to the focusing screen in my camera. All cameras come with a general focusing screen. Problem is, when you get below f2.8 and onward to f1.2, the lenses can't focus with the standard screen. Cut to the chase: I ordered and installed the Canon Eg-S Super Precision Matte Focusing Screen For Canon EOS 5D-Mark II Cameras . Forty bucks and about 90 seconds to install with the tool they give you. WOW! What a difference! Now my 85 snaps in focus like my 70-200mm! (almost, lol). I don't understand why this isn't talked about more. It made my 50mm 1.2 even faster. Finally, a solution. The one drawback, however, is this: It does make the viewfinder a touch darker, hardly noticable if all of your lenses are f2.8 or faster, which mine are. But if you own any of the zooms with f3.5-5.6 aperture range, they will look dark, FYI. I would assume if you are researching this humungous light vacuum that Canon calls a lens, you hopefully have gotten away from slow cheaper lenses. Anyway, there is an answer, and I'm blown away how much faster and more acurate all of my lenses are, so if you are concerned about the 85's reputation for slow AF, there is an answer!

 
 
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